Glass dinner plate with a translucent coloured effect.
Nanushka is a fashion brand founded in Budapest in 2005 by Sandra Sándor. It is renowned for its aesthetic that blends bohemian influences with modern, urban touches. The shared enthusiasm of the Nanushka and Zara Home teams is evident in the scale and ambition of this collection, which showcases a vibrant kaleidoscope of surfaces and textures—an approach that Sándor describes as “The East meets the West”.
Nanushka is a fashion brand founded in Budapest in 2005 by Sandra Sándor. It is renowned for its aesthetic that blends bohemian influences with modern, urban touches. The shared enthusiasm of the Nanushka and Zara Home teams is evident in the scale and ambition of this collection, which showcases a vibrant kaleidoscope of surfaces and textures—an approach that Sándor describes as “The East meets the West”.
Small glass plate with a translucent coloured effect.
Nanushka is a fashion brand founded in Budapest in 2005 by Sandra Sándor. It is renowned for its aesthetic that blends bohemian influences with modern, urban touches. The shared enthusiasm of the Nanushka and Zara Home teams is evident in the scale and ambition of this collection, which showcases a vibrant kaleidoscope of surfaces and textures—an approach that Sándor describes as “The East meets the West”.
Glass bottle with a round contrast-coloured stopper.
Nanushka is a fashion brand founded in Budapest in 2005 by Sandra Sándor. It is renowned for its aesthetic that blends bohemian influences with modern, urban touches. The shared enthusiasm of the Nanushka and Zara Home teams is evident in the scale and ambition of this collection, which showcases a vibrant kaleidoscope of surfaces and textures—an approach that Sándor describes as “The East meets the West”.
Nanushka is a fashion brand founded in Budapest in 2005 by Sandra Sándor. It is renowned for its aesthetic that blends bohemian influences with modern, urban touches. The shared enthusiasm of the Nanushka and Zara Home teams is evident in the scale and ambition of this collection, which showcases a vibrant kaleidoscope of surfaces and textures—an approach that Sándor describes as “The East meets the West”.
